In this exhibition that is currently showing at the Plymouth City Museum and Gallery there is a wide range of portraiture that depicts a large amount of people in different scenarios. The images have been painted with the smallest a lot of time and skill going into each piece. Due to the amount of detail within these images, a few look like photographs with the focus drawn to the many elements that make up each image.
Ethel Bartlet, 1914, Laura Knight
Ruby Lotus Screwing a Breech-ring, 1943, Laura Knight
Laura Knight first started painting in Cornwall in 1907 when she moved there, where in 1908 she had an exhibition in the Newlyn Gallery. In 1913 Knight her first nude painting was shown which was a self portrait that at the time was scrutinized by the public but has since been seen as a key piece in the story of female self portraiture and symbolic of the wider female view. She later went on to paint WW1 and Circus folk in the 1920's, her most dominate work is that of WW2 focusing on the people and where they worked in such images as women working in factories and pilots in aircraft. One of her most prominent pieces from the war is the image The Nuremberg Trial.
Nuremberg Trial, 1946, Laura Knight
"In that ruined city death and destruction are ever present. They had to
come into the picture, without them, it would not be the Nuremberg as
it now is during the trial, when the death of millions and utter
devastation are the sole topics of conversation wherever one goes -
whatever one is doing" - Laura Knight
In Laura Knight's later life she painted dancers, dignitaries and well known people such as Jean Rhodes the 'Mighty Mannequin' that lead to further portrait commissions. Knight died on the 7th of July 1970 aged 92 3 days after a large exhibition of her work was to been shown in Nottingham Castle Art Gallery and Museum.
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